Now we reach to the third part of the book. Eventually, I found out that this story is entirely unpredictable. In the end of last section, Beatty and Montag arrived at Montag’s house; both of them know that they’re going to burn his house down. I thought Beaty set the alarm and wanted to make the situation ironic because Montag is going to burn his own house down. However, when Mildred runs out of the house with a suitcase in hands, and then immediately gets in the taxi, I realized that oh! so she’s the one who called the alarm. I had always thought that she’s so dumb that doesn’t know how to do anything but sitting in front of the TV or shouting until I reached this part, so now I really don’t know what will happen; I guess I’ll just have to keep reading it.
The Montag killing Beatty and the Hound by his flamethrower part is the most AWESOME part in this book, although I was kind of confused when I first read it. Penetratingly this part is consisted of a ton load of literary devices, and some of them are pretty beclouding; I mean distinctive. We can see that Ray Bradbury is a initiative author who tries to utilize different figurative languages in order to portray the scene vividly, sending the most detailed and smooth information to the readers.
Now Montag is creeping into one of his co-workers house and trying to hide the books in it. He would probably called the alarm later, but I’m not sure, I could never be sure. This book is just too astonishing, too iffy (!?).